Maarten, Airin en Tom voor een boekenkast
Maarten, Airin en Tom voor een boekenkast

A more inclusive curriculum in the history of the arts

TLC voucher project

Motivation

The first-year 'History of the Western Arts' course within the General Cultural Studies programme suffers from several problems. Students find it difficult to see connections between different art forms and complain about a lack of inclusiveness. They point to a lack of non-Western art and female artists. Lecturers also experience difficulties, including frameworks labelled as old-fashioned. How can this history subject be taught in a way that takes diversity and globalisation into account so that students can develop inclusive historical knowledge? 

Hypothesis

Tom and Maarten want this course to be taught in a more inclusive way, taking into account diversity among both students and lecturers. Their goal is to create a learning line on which the curriculum can be based, providing students with a broader historical perspective.  

Desired solution

Using their innovation voucher, they will set to work to develop a new learning line, to which both this course and the entire curriculum can be aligned. This new learning line will serve as the basis for training students to be 21st-century stewards of art and culture, in line with Radboud University's commitment to cultural sustainability.

Plan of action

To achieve this, a team will be formed consisting of students and lecturers from the course. This team will take stock of the current situation, conduct literature reviews and discuss their vision for a new learning line. This process is coordinated by Airin Rezazadeh Farahmand. Based on their findings, this team will work with the faculty education adviser to develop a new learning line, including new forms of work and testing. This learning line will be pilot tested and then evaluated.  

Results

Working together with students and lecturers, a new structure for the learning pathway was developed, which was tested in a pilot within the ‘History of the Western Arts’ course. Rather than focusing primarily on discussing existing works of art, students sought out examples themselves, brought them to class and collectively built an alternative canon. This approach led to greater interaction, lively discussions and increased engagement with the course. Students particularly appreciated the opportunity to contribute different perspectives and to think critically about which works of art should or should not be included in the canon.  

The pilot demonstrated that the new structure not only better caters for the diverse backgrounds of the international student group, but also contributes to a more inclusive curriculum. Lecturers found the thematic sessions clearer and observed that students participated more actively in the discussions. The insights gained are being used to further develop the course, with greater coordination between lecturers, a stronger link between lectures and seminars, and scope for students to ensure their own canon remains visible within the programme. 

Funding

This project is funded by a TLC voucher from the Radboud Teaching and Learning Centre. This voucher programme aims to set up projects in the field of educational innovation, lecturer development and educational research.

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Contact information

Would you like to know more? Do not hesitate to contact the applicant.