Six-course menu
Constructed like a six-course meal, the exhibition teaches you about the causes, development and consequences of famines. Each course helps clear up a misunderstanding. “There are several misconceptions about famines, for example that nature causes them,” explains Boerman. “From wars to political mismanagement, famines are largely the result of human action, not natural disasters.”
Incidentally, once famines are underway, it doesn’t mean that no one can get food. “Often, it’s the already vulnerable groups in society that are hit the hardest.” At the same time, it can vary a lot from case to case. “During the Hunger Winter in the Netherlands, people in rural areas had access to food, while in Ireland it was the farmers who were hit hardest by the failed potato harvests.”
Another well-known misconception is that famines are something of the past. But nothing could be further from the truth. “Even today, there are plenty of famines in war zones,” Boerman stresses. “Conflict in Yemen has left 17 million people living in food insecurity and in Gaza, people have had to resort to eating cattle feed and children are dying of malnutrition and dehydration.”
No images of cannibalism
When Boerman started her PhD in early 2020, she saw for herself that famine is not entirely inconceivable in the Netherlands either. “Finding empty shelves in supermarkets due to COVID, I suddenly saw in real life what I was reading about for my research. I wasn’t afraid of an acute famine, but it did get me thinking.”
As a cultural scholar with expertise in visual sources, Boerman coordinated the exhibition. With a subject like famines, it can be difficult to decide what to show and what not to show. “On the one hand, you want to tell people about the atrocities, but some images can be too shocking. In some situations, food scarcity led to cannibalism. “To discuss that, we opted for written eyewitness accounts and drawn illustrations, rather than a photo.”
During her research, Boerman also saw such gruesome images. “Those images do stay with you, yes. I'm now slightly used to it, although you never become completely desensitised.” It’s part of the job and Boerman knows why she is doing it. “My goal is to help inform people about famines and thus contribute to their prevention.”
Interested in the digital exhibition?
Watch Heritages of Hunger
Image above the article:
Robert Wilhelm Ekman
Beggar Family on the Road (1860)
©Finnish National Gallery
Image on the right:
Viktor Tsymbal
The Year 1933 (1936)
©National Museum of the Holodomor Genocide, Kyiv
Віктор Цимбал
Рік 1933 (1936)
© Національний музей Голодомору
геноциду, Київ